Jeremy Irons Attends Taormina Film Festival

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ROME — Italy’s Taormina Film Festival featured a mix of international blockbusters, smaller dramas and comedies in its famous Teatro Antico venue, with a list of Hollywood A-Listers on tap, as the 59-year-old festival continues its return to good health after a “near-death” experience last year.

taormina venue

The festival ran from June 15-22 in Taormina, Italy.

Trashed was screened on Wednesday, June 19 at 10:00 in the Convention Center – Hall A. Jeremy Irons was part of a Tao Class held on Wednesday, June 19 at 11.45 at the Hall A of the Convention Center.

Jeremy Irons was a recipient of the Taormina Arte Award. Here’s what the festival’s website has to say about Jeremy and the award (translated from Italian):

“Taormina Arte Award – Jeremy Irons
It ‘an interpreter of natural elegance, often also enjoys coloring and embellishing the prestigious cinematic tradition of British actors who wear the clothes of the “bad” with a pronounced English accent (even in a western like Appaloosa) or return to the origins of its training at the Old Vic appearing in reductions to Shakespeare as The Merchant of Venice. And ‘the most respected performers in English, starring theatrical films (like Callas Forever, Australia, The House of the Spirits), but also original and insightful studies of the author (Cronenberg’s Dead Ringers, Bertolucci’s Stealing Beauty, The French Lieutenant’s Woman of Reisz), but it will be in Taormina not only to speak of himself, of his excellent filmography, his acting style that blends technical and introspective fragility, authority and underground emotional outbursts, but mostly as a writer, producer and observer Trashed of Candida Brady, a film that takes in hand the risks to the food chain and the environment caused by pollution of air, land and sea. Looking at most of the planet, from Iceland to Indonesia, we discover surprising truth about imminent threats that surround us and our health, like the microplastic: plastic remnants infinitely small that fill the seas and, consequently, the fish, including those that end up on our tables. In Trashed, the actor takes us on a fascinating and disturbing to discover the devastating impact of human waste, more and more toxic than in the past. Also for his commitment, as well as the extraordinary career, the Festival pays homage to him with the Taormina Arte Award. ”

Jeremy Irons in ‘Cigar Aficionado’ Magazine

Jeremy Irons is featured in the March/April 2013 issue of Cigar Aficionado magazine.

This magazine is a must own for any Jeremy Irons fan. Be sure to buy a copy at your local news stand, book seller or cigar store.

Here are scans and photographs of the magazine. Click on the thumbnails to enlarge the images and read the text.

All images © Cigar Aficionado Magazine [Text by Marshall Fine – Portraits by Jim Wright] No copyright infringement intended.

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Tuscan Sun Festival – A Fan’s First-hand Account

Thank you to [you know who you are] for this account of Jeremy at the 2011 Tuscan Sun Festival:

(Photos at the bottom of the post…)

“The evening was a mix of theater, music and ballet and told the story of the 9 year long relationship between Chopin and female writer George Sand. Though I really like Chopin’s music and they played the pieces pretty well, I just wished there were less music and more Jeremy.

As for his acting: he was breathtaking… I was very curious whether he could do a convincing Chopin. Not only because he had to play a young man (half of his age), but because of Chopin’s character, who was a fragile, angelic man, ill all the time, sophisticated and sensitive in a sort of feminine way (while Sand was the more dominant, stronger party in the relationship). And yes, he did it… He transformed completely, especially in the second half of the play, when he becomes more and more ill and lonely and finally brakes up with Sand. You just wanted to take him to your arms carefully and protect him – just like George Sand must have felt about Chopin.

I’m not sure if I have ever seen him being so painfully beautiful like this evening. His hair was something like in Appaloosa, curly at the back, and his skinny, fragile figure was emphasized with long, narrow-fitted clothes. And his face… it was truly expressive, lost, and dreamy (do you remember the last scene of M Butterfly? I could compare his between-genders presence to that). Every bit of him was alive, his playing was so subtle, sensitive and expressive!

As for the set, they had two armchairs and a table at each side of the stage, Sinead on the right, Jeremy on the left. At the back, in the middle the piano. Simon Trpceski played the pieces, while Jeremy sort of pretended to play them either sitting on a chair with his back to the audience or standing at the side of the piano.

There was an ovation at the end of course, they got flowers, and Jeremy threw his to the audience with a cheeky smile before he disappeared behind the curtains. Outside of the theater the crowd waited for them. The musicians came, then the dancers came, God knows who else came, but not them. I waited at least an hour but they must have left through a stage door or something, which was a bit disappointing. Both Max and Sam were there with girlfriends. I saw them briefly, they walked away on foot. Now they are at the charity dinner.”