Jeremy Irons was at the 92nd Street Y, in New York City, on Thursday 12 April 2018, to read T.S. Eliot’s ‘Four Quartets’.
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Text via 92Y.org – “Seventy-five years after the publication of “Four Quartets” — and nearly seventy years since T. S. Eliot himself read from the poem in his Poetry Center debut — Academy Award-winning actor Jeremy Irons returns to 92Y’s stage to present the masterwork in its entirety. This special event coincides with the awarding of the inaugural Four Quartets Prize, presented by the T. S. Eliot Foundation in association with the Poetry Society of America, as well as the CD release of Irons reading all of Eliot’s poems.”
Guests in attendance included Sinead Cusack, Glenn Close, Laurence Fishburne, Melissa Errico, Griffin Dunne, Tyne Daly, producer Ed Pressman and his wife Annie, actor Josh Hamilton and his wife playwright Lily Thorne, and Alice Quinn – Executive Director of the Poetry Society of America.
Before he read the ‘Four Quartets’, Jeremy offered some background information on T.S. Eliot and on the themes and locations mentioned in the poems. He also offered some words of wisdom when it comes to listening to poetry and also reading poetry.
Jeremy said he often tells audiences before he reads the poems: “Don’t get worried about the specifics…about the little moments…about the classical allegories or analogies or whatever that he [the poet] pops in. That meant something to him, but if it doesn’t mean anything to you, it isn’t important. Just listen, let it wash over you. Don’t be too specific or pedantic in the way you listen. And maybe something will be transmitted over and above the poem.”
Jeremy mentioned that T.S. Eliot wrote: “A recording of a poem read by its author is no more definitive an interpretation than a recording of a symphony conducted by the composer. A poem, if it’s of any depth and complexity, will have meanings in it concealed from the author. And should be capable of being read in many ways and with a variety of emotional emphases. A good poem, indeed, is one which even the most inexpert reading cannot wholly ruin and which even the most accomplished reading cannot exhaust. Another reader reciting the poem needn’t feel bound to reproduce these rhythms. If he studied the author’s version, he can assure himself he’s departing from it deliberately and not from ignorance.”
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On Friday 13 April 2018, at The National Arts Club at Gramercy Park in New York City, Jeremy was on hand to present the inaugural Four Quartets Prize to poet Danez Smith. Read more about that event from LitHub.
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Photo by jeremyirons.net
Photo by Beowulf Sheehan – Jeremy Irons with Danez Smith
Photo by Jack Feldstein
Photo by Beowulf Sheehan
Photo by Jack Feldsetin
Photo by Jack Feldstein
Photo by Sall Fischer
Photo by jeremyirons.net
Photo by Linda Malcolm
Photo by Merry Ball
Photo by Linda Malcolm
Photo via Gawiel/墨殊-LLAP
Photo via Gideon Lester
Photo via Gawiel/墨殊-LLAP
Photo via Gawiel/墨殊-LLAP
Photo by Windham Campbell Prizes
Photo by Diana Berry
Photo via Gawiel/墨殊-LLAP
Photo by Cornelius Eady
Photo by jeremyiros.net
Photo via Philip Sanchez
Photo via Gawiel/墨殊-LLAP
Photo via Gawiel/墨殊-LLAP
April 16, 2018
Categories: Latest News and Posts . Tags: 92Y, Alice Quinn, Annie Pressman, Danez Smith, Ed Pressman, four quartets, Glenn Close, Griffin Dunne, Jeremy Irons, Josh Hamilton, Laurence Fishburne, Lily Thorne, Melissa Errico, Poetry Society of America, Sinead Cusack, Smudge, T. S. Eliot, Tyne Daly . Author: jeremyironsno1fan . Comments: Leave a comment
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