Jeremy Irons – The National Student Interview

SOURCE:  Jeremy Irons: “the arts are pivotal to our future”

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Sally Hall  – 26th January 2017

After a long and distinguished career in film and theatre, Jeremy Irons is a man with a deep understanding of the performing arts and how art can inspire and drive change in the world. A keen activist, Jeremy has long-used his fame to support charities and help further causes close to his heart.

He now turns his attention to education, having accepted the position as Chancellor of liberal arts institution Bath Spa University.

Jeremy will be championing the role of the arts in wider society, the benefits of an arts education in producing well-rounded, engaged citizens, and how the UK can maintain its reputation as a centre for educational excellence post-Brexit.

A man with an international career, Jeremy holds a fervent belief that all people should aspire to have a global outlook on life – understanding and appreciating what others have to offer and what you can offer back. In a post-Brexit Britain, Jeremy feels this is particularly relevant.

The National Student caught up with man himself, to talk Brexit, arts, and the importance of retaining an international mindset.

“Brexit has highlighted some real divisions in our society and the aftermath has magnified these tenfold,” he says.

He believes that instead of “pointing fingers of blame” it is essential that we “instead be questioning the reasons why so many people felt compelled to use their vote in protest at the current system in place in the UK.”

He says: “Part of the problem is the disconnection that the public feel towards a government that is increasingly centralised and therefore unrepresentative of local interests.

“It is an incredible shame that it has got to the point that this type of structure, rather than a local one, with a global outlook, has alienated so many and in all reality it is the young people – the students’ of Bath Spa University for example – that will bear the consequences of this summer’s vote.

“In order to learn valuable positive lessons from Brexit and to make the changes necessary in the coming years, it is therefore imperative that we are training our future leaders to be empathetic, intelligent and instill a sense of being part of the human race and not just British, or English or Welsh.

“With an international mentality, our young people can look outwards and create new ways of collaborating across Europe, and the world, and hopefully fix some of the political problems of today.”

Collaboration in all things is a stance that Jeremy feels passionately about, and he agrees that it is incredibly important to turn out graduates that are well-rounded if we are to progress as a society.

“Much emphasis is put on the STEM subjects, not only in terms of education at all levels but also in terms for the economy. There seems to be a feeling that technology is going to save us all – and indeed, science and technology bring a lot to us all.

“But this can often be at the cost of the arts – a sector that has been pivotal to innovation for decades – and is often overlooked in terms of its contribution to the world.

“The number of jobs that exist and are continuously created in the arts is astounding and the contribution to the economy is growing year-on-year.

“Given this, it makes sense to bring the liberal arts and technology and sciences together – who knows what is possible if we break down the barriers between the two, which are quite artificial. There is no natural reason for the two to be mutually exclusive.”

Jeremy Irons is the new Chancellor of Bath Spa University.

Jeremy Irons Caricature By Rick Tulka

Caricature of Jeremy Irons by Rick Tulka and Rick’s story of meeting Jeremy and having him autograph the drawing: SOURCE

“Jeremy Irons was one of my favorite meetings for my Autographs project from the 1980s early 1990s (I did drawings of the famous and searched them out to autograph the original). I love Jeremy’s voice, he could read the phone book and I’d listen! In 1985 he was appearing, on Broadway, in the revival of his Tony Award winning performance in “The Real Thing.” So, I knew where he was. Theaters were an easy place to contact actors. All you had to do was meet the guy at the stage door. They run the place. And that is what I did. I went over to the theater and met the stage door guy, told him about my project and showed him Jeremy’s drawing and the drawings I had already gotten autographed. He told me that it would be no problem and we set up a meeting before the Wednesday matinee the following day. The next day I met the afternoon stage door guy, who knew about my project. I showed him the drawing of Jeremy and the others I did. It was also good to get these people involved too. Luckily, he was watching the soap opera, “All My Children,” on a little black and white TV. That was my soap too and I had recently gotten a drawing autographed by the entire cast of “All My Children,” which he really enjoyed seeing. Jeremy wasn’t there and I waited. As we were discussing the latest escapades of Erica Kane, Jeremy arrived. I introduced myself. I was expected. “Oh yes, do come up,” Jeremy told me. We went up to his dressing room. He remarked, “I like your pictures very much. They make me laugh!” I had left some samples the day before, but not the one of him. He was extremely nice and made me feel relaxed. I was usually exploding on the inside when I met the famous. I tried to act cool and collected. I took out his drawing and he laughed. He made a deal with me. He’d sign the drawing, but he wanted a copy. No problem. I told him I’d be back the next evening. While exiting, in my excitement, I trip over my own feet and fell out of his dressing room. Classy. The next evening I returned with his copy and he exclaimed, “Wonderful! Marvelous!” He happily autographed my drawing. He put the copy on a little shelf. He looked at it again and said, “It still makes me laugh.” I leaned back and looked back and forth between my drawing and my victim, amazed that I was actually doing that, and concluded, “Yes, it does look like you!””

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Jeremy Irons Reads TS Eliot

All audio, photos and all text ©BBC

Jeremy Irons reads the complete collection of T.S.Eliot’s English poems, almost in their entirety, across New Year’s Day, 2017, on BBC Radio 4.


Part One – Prufrock and Other Observations

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Martha Kearney talks to award-winning novelist Jeanette Winterson about her first experience of reading T.S.Eliot and the transformative impact of his language on her as a teenager. She explains why the turn of the year is a good time to read Eliot’s work.

Jeremy Irons reads:
The Love Song of J. Alfred Prufrock
Portrait of a Lady
Preludes
Rhapsody on a Windy Night
Morning at the Window
The ‘Boston Evening Transcript’
Aunt Helen
Cousin Nancy
Mr. Apollinax
Hysteria
Conversation Galante
La Figlia Che Piange

With contribution from Jeanette Winterson


Part Two – Poems (1920)

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Martha Kearney talks to Anthony Julius ( the new Chair of Law and the Arts and University College London) and writer Jeanette Winterson about the enduring power and beauty of the opening lines of Eliot’s poem ‘Gerontion’ – ‘Here I am, an old man in a dry month, Being read to by a boy, waiting for rain.’ and explore references in the poems that have been judged anti-semitic. They consider how we should read these poems now, and what we can learn from Eliot’s ‘ugly’ references’.

Jeremy Irons reads:
Gerontion
Burbank with a Baedeker: Bleistein with a Cigar
Sweeney Erect
A Cooking Egg
The Hippopotamus
Whispers of Immortality
Mr Eliot’s Sunday Morning Service
Sweeney Among the Nightingales

With contributions from writer Jeanette Winterson and lawyer and academic Anthony Julius


Part Three – The Waste Land

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Martha Kearney explores the resonance and the contemporary appeal of ‘The Waste Land’ with award-winning novelist Jeanette Winterson. Jeanette explains why this poetry of fragments can still speak to us so powerfully, whilst the former Archbishop of Canterbury Rowan Williams and the Scots Makar Jackie Kay, both make contributions to explore the emotional and creative impact of the poem.


Part Four – The Hollow Men, Ash Wednesday and Ariel Poems

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Martha Kearney is joined by the acclaimed actress Fiona Shaw, who has performed ‘The Waste Land’, to explore the impact of Eliot’s language on her own life and to consider the imagery and the seductive music of his poems of spiritual struggle.

Jeremy Irons reads:
The Hollow Men
Ash Wednesday
Journey of the Magi
A Song for Simeon
Animula
The Cultivation of Christmas Trees


Part Five – Four Quartets

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Martha Kearney and Rory Stewart MP, ( and author of ‘The Places in Between’ – an account of a six thousand mile trek from Herat to Kabul ) discuss Rory’s unusual encounter with what Eliot regarded as the culmination of his achievement: the sequence he called the ‘Four Quartets’. Rory learned the entire poem whilst walking through Nepal. He explains why he also used language from the poem when he was campaigning in his constituency, and the importance to him of Eliot’s sense that ‘soil’ and roots matter, even in an poem about time and timelessness.

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Jeremy Irons in Their Finest – New Trailer

Their Finest will screen at the Sundance Film Festival and then go into general release in U.S. theaters on March 24 and U.K. theaters on April 21.

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