Jeremy Irons goes Henry IV into battle

Liverpool Echo 30 June 2012

After almost a decade, Jeremy Irons is returning to Shakespeare, as King Henry IV in a new BBC series. Acting’s good, he tells Kate Whiting, but what he really loves doing is tinkering with his boat.

IN A snow-covered field just a stone’s throw from the M25, Jeremy Irons, Tom Hiddleston and a heavily disguised Simon Russell Beale are doing battle.

It’s a surreal sight, as Jeremy and Tom, in chain mail and red capes, charge back and forth on horses through a throng of armour-clad men, while Russell Beale, in a fat-suit and clasping a spear, runs comically away from just about everyone in his path.

On hills either side of the small valley are camps of ancient tents and, were it not for the camera crew in modern-day dress, you could almost imagine it was Medieval England. Even the sounds of the M25 have been muffled, much to director Richard Eyre’s relief, thanks to the snow.

But this is January, 2012, and the scene being filmed is the climax of Shakespeare’s Henry IV Part I, where the future Henry V, young Prince Hal, will defeat rebel leader Hotspur, ultimately taking his place in history.

Some time earlier, in the comfort of a heated modern tent, which doubles as wardrobe and canteen for the battling mob, Jeremy Irons, who’s playing the titular king, settles down to discuss his first Shakespeare play since the 2004 Merchant Of Venice film.

He looks every inch the lauded British thespian, dressed in a red woolly jumper, Middle Eastern scarf, cords and high black boots, with a backwards cap on his head – chic but cosy.

“Shakespeare is wonderful to come back to, you forget how fertile his language is,” says the 63-year-old, in those deep, familiar tones.

“You get used to working in film, where language is spare and often not well written and suddenly you get back to this language, his use of rhythm, the choice of words, the way he changes from one thought to another on a sixpence, which is glorious.

“It’s like driving an Aston Martin and you think, ‘Oh yes, this can do anything, once I get to know how to do it’. Once you’ve done some of those big roles, even though you might not have done it for a few years, you know the possibilities, you know what you’re looking for – which is to make it sound completely colloquial and understandable to an audience.”

Indeed, with their season of four Shakespeare history plays, entitled The Hollow Crown, it’s the BBC’s mission to appeal to as wide an audience as possible. As part of the Cultural Olympiad in the run-up to London 2012, the Shakespeare Unlocked season charts the rise and fall of three kings; self-indulgent Richard II (played by Ben Whishaw) who is overthrown by his cousin Bolingbroke, Henry IV, and finally his son Henry V.

The two parts of Henry IV tell of the king’s guilt over deposing his cousin and struggle to retain the crown, as his enemies rise up against him.

In recent years, Jeremy, who made his name in the 1981 ITV series Brideshead Revisited before starring in films such as Lolita, The Mission, The Lion King and the Oscar-winning Reversal Of Fortune, has returned to TV acting, with an acclaimed role in the US drama The Borgias. Next month, he’s off to Budapest to film the third series.

Television has become more appealing as film budgets dwindle, he says.

“Movies are really having a problem. The sort of pictures I make, what I call the £8m to £30m, are not made very easily now. The £200m are getting made and the £1m movies are getting made, but the ones in the middle are finding it very hard.

“I’ve been watching the series that are coming out of America and there’s such good writing happening. Mad Men, The Wire, Damages, this is really good drama, good writing.”

When he does get a break from his acting schedule, Jeremy has more than enough at home in Ireland to keep him busy.

“I love downtime because there are many other things I love doing,” he says simply. “I’ve always been a doer-upper of things. In the early days it was furniture, then it became houses. Now I have a boat and horses, which is very lucky.

“At one stage, during my 30s, I remember leaving the house thinking, ‘Why do I have to work, there’s so much I want to get done?’. Then I thought, ‘Careful, you have to work in order to support the life you want to live’.”

And with that, Jeremy is off to ride a horse – for work.

The Hollow Crown begins on BBC Two today. Jeremy Irons appears in Henry IV Parts 1 & 2 on Saturday, July 7 and Saturday, July 14

Read More http://www.liverpoolecho.co.uk/liverpool-entertainment/showbiz-news/2012/06/30/jeremy-irons-goes-henry-iv-into-battle-100252-31289207/#ixzz1zH4aizR8

Jeremy Irons on ‘The View’ 23 April 2012

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Jeremy Irons Interviewed by Scott Feinberg with Audio

From The Hollywood Reporter and Scott Feinberg’s Blog “The Race”

[Follow Scott Feinberg on Twitter @ScottFeinberg and @THR_TheRace]

  • jeremy_irons_interview_podcast.mp3
jeremy_irons_2011_H.jpg
 photo from Roadside Attractions

On Thursday morning, I had the privilege of speaking for about 30 minutes with the great London-based stage and screen actor Jeremy Irons, just minutes after his name was announced as a best actor (in a TV drama) Golden Globe nominee for his work on the critically-acclaimed Showtime series The Borgias.

Irons, 63, has already won just about every acting award that exists: an Oscar, a Golden Globe, a SAG Award, an Emmy, a Tony, an Annie, and prizes from all of the major critics groups, including the Los Angeles Film Critics Association, New York Film Critics Circle, and National Society of Film Critics. He mentions during our chat that he recently loaned his inimitable voice to a recorded reading of T.S. Eliot‘s The Waste Land, which could, hypothetically, earn him a Grammy, as well, which would make him just the 11th member of the elite EGOT club!

But, as Irons notes during our conversation, it is neither a desire for awards, nor a fondness for fame, nor even a particular passion for acting (he’s appeared in only 40 movies since his big screen debut 30 years ago) that keeps him in the game at this point in his life. Instead, it is a deep connection that he feels to certain characters that he reads, as well as a need for the creative companionship of other actors, that periodically draws him away from his various homes and hobbies and back into the fray.

The most memorable of his film roles include a lovestruck victorian in Karel Reisz‘s The French Lieutenant’s Woman (1981); a Jesuit missionary in Roland Joffe‘s The Mission (1986); a pair of twisted twins in David Cronenberg‘s Dead Ringers (1988); a murder suspect in Steven Soderbergh‘s Kafka (1991); a shady spouse in Barbet Schroeder‘s Reversal of Fortune (1991); a Machiavellian lion in Roger Allers and Rob Minkoff‘s The Lion King (1994); a child predator in Adrian Lyne‘s Lolita (1997); a cheating/cheated-upon husband in Istvan Szabo‘s Being Julia (2004); and a debtor in Michael Radford‘s The Merchant of Venice (2004).

And now comes another: the slithery corporate titan John Tuld — which sounds to me a lot like Dick Fuld, the disgraced former chair of Lehman Brothers — in first-time filmmaker J.C. Chandor‘s timely Wall Street drama Margin Call. The star-studded indie that debuted at Sundance in Jan. was released on Oct. 21 and has been very warmly received by critics and VOD consumers. Irons only enters the film in its third act, but he absolutely dominates it during every subsequent moment in which he appears onscreen. Consequently, he is receiving his loudest awards buzz in years and could — despite being passed over by the BFCA, SAG, and HFPA last week (probably because he’s part of such a large and impressive ensemble from which it is hard to single out only one or two individuals) — earn his first invitation to the Academy Awards since he won the best actor Oscar 21 years ago.

Irons and I discussed all of the above — and more — during our time together, and I hope that you’ll tune in to our conversation at the top of this post.

The Lion King Directors on Working with Jeremy Irons

Read the full interview at Flickering Myth Movie Blog

Friday, 23 September 2011

Special Features: Q&A with The Lion King directors Rob Minkoff and Roger Allers

Flickering Myth was one of a number of sites invited to take part in a virtual roundtable interview with Rob Minkoff and Roger Allers, co-directors of The Lion King, to discuss the 3D re-release of the animated Disney classic, ahead of its arrival in the U.K. on October 7th.

The resulting two-hour Q&A covered a whole range of topics including the making of the original film, its recent conversion to 3D, traditional animations vs. computer animation, the future of the industry and much more.

Here are the excerpts which pertain to Jeremy Irons:

Q:  Can you share with us some memories of working with Jeremy Irons?

Roger Allers: Jeremy is a gentleman and a brilliant actor. He always gave us extra interpretations of lines which were fantastic.

Q:  I think that Scar is the best villain of all Disney`s movies.What do you think about Jeremy Irons voice performance?

Roger Allers: I think I’d put Jeremy’s performance up on the top of all time best vocal performances.

 

Jeremy Irons in Delta Sky Magazine

Click on each page for a larger view:


Jeremy Irons Wall Street Journal Interview

The Wall Street Journal

ARTS & ENTERTAINMENT
MARCH 25, 2011

Feeling Wrong for the Role, at First
By AMY CHOZICK

Read the original article here – Wall Street Journal Online

Thirty years after he played Charles Ryder in the British miniseries “Brideshead Revisited,” actor Jeremy Irons takes on another TV role that involves Catholicism, opulence and distrust: Rodrigo Borgia, the scheming patriarch and corrupt Pope Alexander VI in Showtime’s “The Borgias,” premiering April 3.

Watch a scene from Showtime’s new drama ‘The Borgias.’ The series stars Jeremy Irons as Pope Alexander VI. Courtesy Showtime.

Mr. Irons, 62, is perhaps best known for film roles including Claus von Bülow in “Reversal of Fortune,” for which he won an Oscar, and Humbert Humbert in “Lolita.” He also starred in TV miniseries like the 2009 Lifetime biopic “Georgia O’Keeffe” with Joan Allen and “Elizabeth I,” with Helen Mirren.

His deep, languid voice is currently in theaters as the narrator of wildlife documentary “The Last Lions.” (He voiced the villain Scar in “The Lion King.”) In “Margin Call,” an upcoming film about the financial crisis, Mr. Irons plays an embattled Wall Street CEO based on Lehman Brothers’ Richard Fuld.

Mr. Irons was reluctant to commit to an ongoing TV series, but the nine-episode cable run and the fact that Irish director Neil Jordan (“The Crying Game”) would write and direct “The Borgias,” convinced him.

The Wall Street Journal: Why is “The Borgias” being touted as a kind of medieval version of “The Godfather”?

Mr. Irons: There’s an element in common in that Don Corleone was an Italian in America. Rodrigo is a Spaniard in Rome. Yes, that element of the manipulator and the immigrant trying to find power and how to hold onto it and influence people as the head of the family. But those parallels don’t run very deep. I think it’s sort of a marketing idea Showtime had. [Mario] Puzo wrote a novel [“The Family”] about the Borgias, of course.

You’ve said you don’t think you’re right for the role of Rodrigo. Why not?

Neil [Jordan] said “Do you want to play Rodrigo Borgia?” I got home and Googled him and I told him “Christ, you don’t want me. You need James Gandolfini.” I could think of four or five actors who would physically be right for the role. I said “I can’t play that guy.” I have an aesthetic quality that is expected from a pope, whereas this guy was a big, sweaty Spaniard with a big appetite—a lot of food, a lot of women.

So why did you change your mind?

Neil said “No, it’s all about power and how power corrupts you and how you manipulate it. No one knows what he really looked like.” So he convinced me.

Even though Rodrigo is an evil megalomaniac, there’s some humor in him. Did you bring that to it?

I think it’s all in Neil’s writing. There’s sort of a natural amusingness about the situation which one doesn’t have to play. You just do what you do and it brushes off on somebody and there’s a smile there.

Speaking of humor, why wasn’t the 1997 film version of “Lolita” you starred in funnier? The book is very funny.

That book is full of irony. I think we were so nervous about the subject when we were making it that we were walking on egg shells. We could have used a lot more irony. The Kubrick version had more irony but it missed a lot of other things.

In addition to “The Borgias,” you’ve recently done a couple of episodes of “Law & Order: Special Victims Unit.” How did that come about?

Well, “SVU” is a different kettle of fish. I was in Budapest finishing “The Borgias” and they asked and I said I don’t know the show. They sent me an episode with Robin Williams and one with Isabelle Huppert. I said “This is good, it’s fine. It is what it is.” For an actor it feels a little like you’ve just finished reading Proust and you think “I’m going to read a Dick Francis novel and it will take me a day and be great.”

“The Tudors” did very well for Showtime but it got criticism for being soft porn in costumes. Will “The Borgias” have as much sex and nudity?

No. There are a lot of channels doing that. I think we can do better than that. This adaptation, for example, and there have been loads, doesn’t fall into the trap of writing all these stories about incest. In those days whole families used to sleep in the same bed. It’s better to get inside characters, who they are and why they do what they do than to make it sensationalist.

You seem to regularly go from film to TV to theater. Which do you prefer?

It’s just the material. They all have good things about them and they all have bad things about them. Theater is great because you can really stay in one place and work on the character in depth over a long period. It doesn’t pay as much as movies, but is often better written. The problem with TV is people are watching soccer at the same time. I’m really lucky to hop around. I’m a jobbing actor.

How is developing a character for TV different from one for film?

The huge luxury is time. A two-hour movie—and, if you’re lucky, it’s two hours—you can tell a story but it’s hard to develop the inconsistencies of a character and have time to bring all those inconsistencies together.

Are you Catholic?

My wife is. My children are. I don’t belong to clubs.

It may shock a lot of Catholics to see a Pope who behaves like Rodrigo Borgia.

Well, the medieval mind would’ve had no problem with a pope who has a mistress. Why do you expect him to be a God? He’s not a God. He’s a man, with all the weaknesses and failures. [Today] we expect our leaders to be squeaky clean and when they turn out to be normal people with normal desires, we say this person shouldn’t be our leader. Man is just doing his best.

Have you discussed a second season with Showtime?

We have a little. Neil has talked to me about some ideas. It’s hard to get the Pope out of the Vatican. I’m very grateful Showtime was hands-off when we were shooting. They left us alone. I hope that will continue because I don’t think you can make movies or TV series by committee.

Printed in The Wall Street Journal, page D5

Copyright 2011 Dow Jones & Company, Inc. All Rights Reserved

Jeremy Irons Talks About Law and Order: SVU

From Daemon’s TV:

LAW & ORDER: SVU is known for attracting high profile and talented guest stars, and that streak continues with the “Mask” episode, airing on NBC January 12, when Oscar winning actor Jeremy Irons makes his American network television debut.

Irons plays Captain Jackson, the estranged father of a woman attacked by a man wearing a haunting mask. Jackson’s work as a sex therapist becomes an obstacle to Detectives Benson (Mariska Hargitay) and Stabler (Chris Meloni) as they try to gather evidence in their investigation into his daughter’s attack. A. J. Cook (Criminal Minds) is also guest starring as the victim’s girlfriend.

A Best Actor Oscar winner for his role as Claus Von Bulow in ‘Reversal of Fortune,’ Irons has acted in films ranging from ‘The French Lieutenant’s Woman’ and the uber- creepy ‘Dead Ringers’ to ‘Die Hard with a Vengeance’ and ‘Being Julia.’ He also voiced the villainous Scar in Disney’s ‘The Lion King’ and has appeared in British and American cable television movies and miniseries like ‘Brideshead Revisited’ and ‘Elizabeth I.’ He will be seen later this year as Rodrigo Borgia in Showtime’s new drama series The Borgias.

Daemon’s TV was there when Irons and Law & Order: SVU executive producer Neal Baer talked about how this guest appearance came about, what we can expect from Captain Jackson, and which role has been Irons’ favorite.

On how this SVU appearance came about:

According to Baer, “We go and ask actors whom I’ve loved watching on television and in the movies. All they can say is no and if they say yes then we work as hard as we can to give them a part they will they enjoy.” He added, “I know that is what keeps the show fresh–that you get these unexpected actors who can deliver these soulful performances.”

For his part, Irons was intrigued by the offer of a guest spot on SVU because he had never done network television before and several of his friends are big fans of the show, so he watched some episodes. “I thought it had great style and reminded me of those paperback crime novels which move very fast,” he said. “I like the way they tell the stories. I like the way they were done.”

As for the character of Captain Jackson, Irons teased, “I like playing characters who are not necessarily what they seem. I like playing enigmas. I like playing people who live outside our normal life experience. To play characters that have or live experiences on the edge–possibly good, possibly not, I find very interesting.”

Irons also likes taking roles that might surprise people. He explained, “One has to work within the parameters of what one is offered as an actor, but I always try to put my foot, so to speak, in a place where it is not expected as I walk in my career.”

On Captain Jackson:

The role of Captain Jackson was written specifically for Irons. Baer said, “When there are actors we really want to work with, like Jeremy, we go to them and see if there’s any interest and then we develop a story specifically for them. We go after various folks and design stories that we think they’ll be interested in and will challenge them and raise some important questions in the minds of viewers. I think [“Mask”] does that. It’s not just a straightforward mystery, by any means. ”

Captain Jackson is a recovering sex addict and alcoholic seeking amends for his past behavior who is now one of the country’s foremost sex therapists. When his daughter, estranged from him due to a past incident, is attacked by a rapist, a link emerges between Jackson, his daughter, and the investigation. Jackson is apparently quite the divisive character because Baer said that the “Mask” episode “pits our characters against each other, particularly B. D. Wong and Chris Meloni, around Jeremy’s character.”

Irons liked the complexity given Jackson. “I thought he was multidimensional, which is hard to find. and he contained enigmatic qualities. He was a mystery–basically a good person but a person who had fought his battles in life. I thought it was a multi-layered role and something I’d like to get my teeth into.”

Baer could not be happier with Irons’ performance. “He’s brilliant in the episode. When you see him, he fits into the show quite well, and yet there`s something about him– and this is what I think separates the great actors from actors–you want to know him. From the moment he steps on the screen you want to know him. He brings to the show this intensity and that is very alluring, I think, to an audience,” Baer explained. “That’s what we wanted and that’s certainly what Jeremy gives in this performance and it’s a very interesting performance because as he was alluding to, his character is a very multi-dimensional character who is struggling with some very real emotional issues that he’s able to bring to the surface in a way we can all identify with. Even though there are things about [Captain Jackson] you won’t like, you empathize with him.”

On his favorite role:

Irons said that there are definitely projects he’s enjoyed more than others, adding “SVU is way up with those I’ve enjoyed. It’s a lovely team of people.” He also loved the fast paced shoot and said, “I watched [Mariska Hargitay and Chris Meloni] in awe as they worked.”

There was actually quite the mutual admiration society between Irons and Meloni. When asked what stood out the most about his experience on SVU, Irons replied, “I enjoyed working with Chris a great deal. He’s a tremendous actor.” Meanwhile, Baer said, “Chris kept texting me throughout out the shoot, ‘I love Jeremy Irons,’” to which Irons retorted, “We are talking about getting married.”

When asked what role was dearest to his heart, Irons said it was one that might surprise us. “I think it’s a movie called ‘Lolita.’ I thought it did everything that a movie should do which is stir up people and make them question things. It was a very well-played film [directed] by Adrian Lyne that sadly got very small distribution because studios were probably frightened by the subject matter.”

Law & Order: SVU airs on NBC Wednesdays at 10pm eastern/ 9pm central with “Mask” airing on January 12.

 

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Jeremy’s Press Interviews and Reviews for SVU

Click on the links for articles about the conference call phone interviews Jeremy did on Friday 7 January 2011.

All of the articles/interviews are basically the same, though.

Examiner.com

Starry Constellation Magazine

The Daily Actor – complete with Audio Podcast!! Jeremy_Irons <–Click the link to listen!
_________________________________________________________________________________________
from TV Guide:

Cheers to Jeremy Irons for his sterling guest shot on Law & Order: Special Victims Unit.

The Oscar-winning British actor brought aching nuance to an uncommonly complicated role: a sex-addiction specialist conflicted over revealing the identity of the pervo perp who assaulted his daughter. Turned out the doctor was a recovering sex addict himself who believed he might’ve raped his girl during an alcoholic blackout when she was 16.

Pretty seedy stuff, but Irons found the humanity in a character he could’ve played as a small-screen variation on his twisted roles in Reversal of Fortune and Dead Ringers. SVU has racked up a string of best guest-actress statuettes in recent years (Ann-Margret, Ellen Burstyn, et. al.), but Irons could become the show’s first male Emmy winner.
__________________________________________________________________________________________

TV Tango (@TVTango) tweeted live during the conference call with Jeremy and SVU executive producer Neal Baer. Here are their tweets – from the most recent to the oldest:

Conf. call w/ Jeremy Irons & Neal Baer of LAW & ORDER #SVU is over. Irons guest stars in the episode “Mask” on Wed Jan 12 at 10pm ET on NBC.

Neal Baer, EP of #SVU: “[Irons’ character] demands the large talent that Jeremy has. We specifically wrote the role for his talents.”

Jeremy Irons, guest on #SVU: “SVU is way up there with those I enjoyed. A lovely team of people. A very happy experience.”

Jeremy Irons, guest on #SVU: “I have one [comedy] lurking around that I might make next year. People don’t come to me first for comedy.”

Neal Baer, EP of #SVU: “As I heard from Mariska and Chris, their kids went crazy” over Irons because of his voice for LION KING’s Scar.

Jeremy Irons, guest on #SVU: “I’ve done the odd comedy. Not hugely successful. I was known for comedy on stage [when I was <30].”

Jeremy Irons, guest on #SVU: “I loved the fast pace of shooting. If I don’t have time to finish the crossword in a day, I’m really happy.”

Neal Baer, EP of #SVU: “Chris [Meloni] texted me throughout the shoot ‘I love Jeremy Irons.'” Irons: “We are talking about getting married.”

Neal Baer, EP of #SVU: “[Irons] fits into the show quite well, but he brings to the show this intensity. It’s very alluring to an audience.”

Jeremy Irons, guest on #SVU: “I think I always try 2 put my foot, so to speak, in a place where it’s not expected where I walk in my career”

Jeremy Irons, guest on #SVU: “There is a professionalism [in American TV] that makes some British work seem amateur.”

Jeremy Irons about working on #SVU: “You do feel like you’re entering an area of safety. They honed their craft on all levels.”

Jeremy Irons, guest on #SVU: “I watched them [Christopher Meloni & Mariska Hargitay] in awe as they worked.”

Jeremy Irons, guest on #SVU: “[My character] contains enigmatic qualities. A multi-layered role I can get my teeth into.”

Jeremy Irons, guest on #SVU, on why doing network TV: “Because it fit in timewise. #SVU is so popular amongst a wide variety of my friends.”

On conference call w/ Jeremy Irons & Neal Baer of LAW & ORDER #SVU. Irons guest stars in the episode “Mask” on Wed Jan 12 at 10pm ET on NBC.

 

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Exclusive! – Fan account of Jeremy’s appearance in Rome

Italian fan Ambra Corti has contributed this first-hand account of Jeremy Irons’s appearance at the Viaggio nel Cinema Americano, sponsored by the Festival Internazionale del Film di Roma.

[Translated from Ambra Corti’s original Italian]

The event in Rome was wonderful! I never thought my emotions could be so great and overwhelming. Jeremy Irons is a wonderful actor and a very fine man, calm and charming and is one of the few actors capable of doing major showbiz productions and supporting charities beyond all expectations, a more extraordinary person there never was!

With his English manner, in the Auditorium Parco della Musica in Rome, he was beloved by everyone, including me,with the power of his warm and seductive voice.

During the evening, we were shown some of the scenes from his films such as The Mission, Lolita, The House of the Spirits, Reversal of Fortune, M. Butterfly, The French Lieutenant’s Woman, Stealing Beauty, Kingdom of Heaven, Dungeons and Dragons, of course, accompanied with comments.

Of The Mission, speaking of the relationship he had with DeNiro, he said:
“At the time, filming went really slowly and DeNiro asked for a lot of takes. When I arrived on the set I was dissatisfied with the choice, I would not accept having to work with an actor who was not trained as I was. With every passing day our antagonism grew until it burst into a furious argument, but it subsided thanks to our producer. Since then we have become great friends.”

Of Lolita he said: “Many found it crazy that I could be like a villain, but I think there are people in the world capable of committing terrible acts and still be humorous, and if I’m not mistaken, here in Italy you have a Prime Minister …” he said with a grin. He did not say the name, but everyone in the room who knew all related, and all burst out laughing!  He went on to say: “I did not want to do Lolita because I was convinced that this film would cause me many problems with the passage of time. Adrian Lyne asked me to make this film for 2 years in a row, saying that if I had not accepted the part, he would not have made the film. Glenn Close was to convince me that it was a classic story and had all the right elements for a good movie and a good job.”

I remember that the presenters did ask a question about the Labour Party, who Jeremy once supported. Eventually, there were 4 or 5 questions from the audience (including me).

I remember one in particular, even though it was more of a statement than a question.
A lady, who was from Ischia, pointed out some events took place many, many, many years ago.
At the time, Jeremy was 17 years old and the lady was as well. She said that they had a [brief relationship or a date] and he played the guitar and she was fascinated.

Immediately after this lady, I made my application (Jeremy was directed to me when I raised my hand to speak) and I think I started in the worst and most embarrassing of ways. I said: “Carramba, what a surprise!” referring to the situation the first lady spoke of, and I do not think that he took that very well, but that may just be my impression.

When I asked the question I was very nervous! I wasn’t standing when I asked the question; I was sitting, because even if I was standing I would have fainted! I do not even know how I had the courage to do it, my heart was bursting, I surprised myself!

The real question that I did was: “You have not yet spoken of The Lion King! I want to know how do you dub a cartoon?”

He explained the various technical things that he had to do before moving on to comment directly on Scar. Of Scar he said: “It’s the ugliest animal! Because, unlike Mufasa (played by James Earl Jones) Scar is dry, skeletal, has a bad mane and tail hair has not, however Mufasa is strong, beautiful, strong with the bushy tail!”

Jeremy did not speak Italian at all and the woman sitting next to him on stage acted as his translator. At the conclusion, I and about twenty people went up to the stage in hopes of an autograph, but he was gone. It was a wonderful and unforgettable evening!

Jeremy Irons to return to RSC in ‘The Gods Weep’

Latest News: Irons makes RSC return

First published: 07 Jan 2010

Actor Jeremy Irons will return to the Royal Shakespeare Company this spring to lead the cast of a new play The Gods Weep.
The world premiere, by Dennis Kelly,  plays at the Hampstead theatre between February and April.

Oscar-winning actor Irons rejoins the RSC after 23 years away to star in Kelly’s The Gods Weep, a play about a corporate giant who decides to split his power among his subordinates, unleashing a bloody struggle.

The multi award-winning star of stage and screen, whose film credits include Reversal Of Fortune – for which he won the Academy Award for Best Actor in a Leading Role – Dead Ringers, The Lion King and Die Hard With A Vengeance, last worked with the company in the 1986/7 season when he appeared in The Winter’s Tale and Richard II. His most recent London stage appearances came in 2006’s Embers and 2008’s Never So Good.

Irons is joined in the cast of The Gods Weep by Nikki Amuka-Bird, Karen Archer, Neal Barry, Babou Ceesay, Sam Hazeldine, Joanna Horton, Stephen Noonan, Luke Norris, Sally Orrock, Helen Schlesinger, Laurence Spellman, John Stahl and Matthew Wilson.

The RSC premieres open a Hampstead theatre spring season which also includes Sebastian Barry’s new play about Hans Christian Andersen’s visit to Charles Dickens’s home, Andersen’s English, and Jonathan Harvey’s new play Canary.

MA

Show Details: The Gods Weep

Colm has taken a lifetime to build his empire. With brutal rigour he has shaped the world around him in his own image.
But when he decides to divide power between his subordinates, the world he has created rapidly begins to fracture. Having unleashed a bloody power struggle Colm is forced to confront the very human cost of his actions as around him the body count begins to rise. Dennis Kelly’s savage new play explores what happens when corporate greed and state security frighteningly overlap.

Dennis Kelly is an acclaimed and multi award-winning playwright whose recent work includes Orphans, DNA, Love and Money and Osama the Hero which premiered at Hampstead Theatre. He is currently under commission by the RSC to write the book of Matilda, A Musical to be staged in late 2010

Maria Aberg directs following her celebrated RSC production of Roy Williams’ Days of Significance.

Performance Details

Venue – Auditorium

  • March: 12, 13, 15, 16, 17, 18, 19, 20 (2:30pm), 20 (7:30pm), 22, 23, 24 (2:30pm), 24 (7:30pm), 25, 26, 27 (2:30pm), 27 (7:30pm), 29, 30, 31 (2:30pm), 31 (7:30pm)
  • April: 2, 3 (2:30pm), 3 (7:30pm)

showing at:  Hampstead Theatre

box Office: 020 7722 9301

Details

Age: General

Genre: Play

Sub Genre: Play (Drama)

previews from: 11.03.2010

opening night: 17.03.2010

Playbill.com article

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