Tuscan Sun Festival – A Fan’s First-hand Account

Thank you to [you know who you are] for this account of Jeremy at the 2011 Tuscan Sun Festival:

(Photos at the bottom of the post…)

“The evening was a mix of theater, music and ballet and told the story of the 9 year long relationship between Chopin and female writer George Sand. Though I really like Chopin’s music and they played the pieces pretty well, I just wished there were less music and more Jeremy.

As for his acting: he was breathtaking… I was very curious whether he could do a convincing Chopin. Not only because he had to play a young man (half of his age), but because of Chopin’s character, who was a fragile, angelic man, ill all the time, sophisticated and sensitive in a sort of feminine way (while Sand was the more dominant, stronger party in the relationship). And yes, he did it… He transformed completely, especially in the second half of the play, when he becomes more and more ill and lonely and finally brakes up with Sand. You just wanted to take him to your arms carefully and protect him – just like George Sand must have felt about Chopin.

I’m not sure if I have ever seen him being so painfully beautiful like this evening. His hair was something like in Appaloosa, curly at the back, and his skinny, fragile figure was emphasized with long, narrow-fitted clothes. And his face… it was truly expressive, lost, and dreamy (do you remember the last scene of M Butterfly? I could compare his between-genders presence to that). Every bit of him was alive, his playing was so subtle, sensitive and expressive!

As for the set, they had two armchairs and a table at each side of the stage, Sinead on the right, Jeremy on the left. At the back, in the middle the piano. Simon Trpceski played the pieces, while Jeremy sort of pretended to play them either sitting on a chair with his back to the audience or standing at the side of the piano.

There was an ovation at the end of course, they got flowers, and Jeremy threw his to the audience with a cheeky smile before he disappeared behind the curtains. Outside of the theater the crowd waited for them. The musicians came, then the dancers came, God knows who else came, but not them. I waited at least an hour but they must have left through a stage door or something, which was a bit disappointing. Both Max and Sam were there with girlfriends. I saw them briefly, they walked away on foot. Now they are at the charity dinner.”

Jeremy Irons – Tuscan Sun Festival – HUGE High-res Photos!

Click on the thumbnails for HUGE high-resolution photos of Jeremy Irons and Sinead Cusack at the 2011 Tuscan Sun Festival in Cortona, Italy.

Source

Jeremy Irons in Italy for the Tuscan Sun Festival

Jeremy Irons and his wife, Sinead Cusack, were in Cortona, Italy, for their 4 August performance at the Tuscan Sun Festival.

Jeremy Irons and Riccardo Baracchi @ il Falconiere in Cortona on a Midsummer’s Night:

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Photo via Sally Fischer Public Relations

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Source for the press conference photos: https://picasaweb.google.c​om/105067193867522646525/J​eremyIronsESidneyCusackACo​rtonaPerIlTuscanSun

Other sources:

http://t.co/9inWkyA    [arezzonotizie.it]

http://t.co/KjYnT7D  [Repubblica.it]

http://t.co/T5GSsJ9  [TVP]

Jeremy Irons Interviewed for Saga Magazine

Jeremy Irons is interviewed in the August 2011 issue of Saga Magazine.

‘I don’t think I will ever be that famous. I don’t think it’s good for an actor – I’d rather be with my family’


Jeremy Irons
He’s about to star as arch-villain Cardinal Borgia in a new TV series, but the charismatic and likeable Jeremy Irons reveals that these days he is more concerned about another role – that of being a father.
Words: Gabrielle Donnelly
There is never an inkling of a doubt, when you are in conversation with Jeremy Irons, that you are in the presence of a Thespian. For starters, there’s the look – the swept-back salt and pepper hair, the darkly dramatic features highlighted by the knotted scarf, the huge, elegant hands waving gracefully in the air.
Then there’s the voice – resonant and beautifully modulated, the carefully honed instrument of a meticulously responsible owner. But most of all there’s the conversation. It swoops and swerves as it encompasses fabulously famous people, glamorous geographical byways, positively polychromatic opinions and some truly gorgeous anachronisms. (‘I am not,’ he announced to me once, ‘the sort of disapproving father who sends his sons telegrams.’) Telegrams!
He is never, ever, dull.
In a world where conformity is increasingly, and dispiritingly, the norm, Jeremy is an unapologetically unreconstructed luvvie who will
as happily give you his views on the current state of organised religion (‘I’m disappointed in it and I’ll tell you why…’) as reflect on playing Cardinal Borgia, who became Pope Alexander VI, in the Sky TV series The Borgias – ‘it’s the vulnerability that made him interesting to me.’
We are chatting on a sunny morning at the Four Seasons Hotel in Beverly Hills; he’s in LA for some promotional activity, but has a pad in New York and five other homes, including a pink castle in Ireland. Most of the time, he and his wife, the actress Sinead Cusack, flit between the Oxfordshire town of Watlington and the castle near Ballydehob, in County Cork.
‘I’m a jobbing actor,’ he says with some pride. ‘I always have been. I do theatre, television, movies; I’ll do anything anybody suggests if it tickles my fancy. I mean, I like to be paid, but if someone offers me a good character in a good story, I really don’t mind where it’s played.
‘I’ve done a couple of big-budget movies – a Die Hard – and I’ve done a couple of… what would you call them? Sort of… dragony pictures, you know?’ He sniffs at the memory of 2000’s Dungeons & Dragons.
‘Of course, doing a blockbuster is useful because people who make movies think that people who are in movies that make a lot of money will make their movies more money. It’s a clearly unproven thing, but that’s what accountants believe. For me, it’s more about the fun I have on a shoot. On the whole, I prefer smaller-budget films – they’re faster to make. With Die Hard, I’d wait for days while a ship was turned around so that a car could fall on it!’
The full article can be read in the August 2011 issue of Saga Magazine.

Jeremy Irons at the Sunflower Jam 2011

Jeremy Irons was the host of Superjam 2011, in aid of the Sunflower Jam Charity, at the Royal Albert Hall in London, England on Friday 8 July 2011. Max Irons and Sinead Cusack were also in attendance.

For over 100 utterly stunning photos from the event (including a couple of Jeremy) check out Gabrielle McMillan Photography.

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Jeremy Irons on ‘Desert Island Discs’

Jeremy’s second appearance on BBC Radio 4’s “Desert Island Discs” from Sunday 5 February 2006 is now available on iTunes for FREE!

Click on the image below to download on iTunes:

[The iTunes version just plays clips of the songs Jeremy has chosen, due to licensing issues. That is the reason that the iTunes broadcast is slightly shorter than the version on the BBC website. The interview portion with Jeremy is unedited.]

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Introduction from the BBC website:

Sue Lawley’s castaway this week is the actor Jeremy Irons.

He made his name playing Charles Ryder in Brideshead Revisited in 1981 and became known for his quintessentially English roles. It was an image he later sought to discard and he certainly did so in the film Lolita, where his portrayal of Humbert Humbert reopened the controversy about the desires of a middle-aged man for a 14-year old girl. In the film The Mission he played a gentle Jesuit missionary and went on to act as his own stuntman, climbing a perilous waterfall. It was his performance in Reversal of Fortune that won him an Oscar for Best Actor as the real-life character Claus Von Bulow, accused and acquitted of the attempted murder of his wife. Later this month, he returns to the West End stage after almost 20 years to star in the play Embers, a story of friendship and betrayal.

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The full, unedited version of Jeremy’s “Desert Island Discs” episode is also available to listen to or to download to keep from the BBC 4 Website.  There you can also read the details of his first appearance on “Desert Island Discs” on Sunday 2 November 1986, but it is not available to listen to.

Jeremy’s song choices:

Favourite track: “One step at a Time” by Clifton Chenier
Book: Ashley Books of Knots by Clifford Ashley

 

Luxury: Rizla liquorice papers

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Sinead Cusack’s appearance from Sunday 15 December 2002 on “Desert Island Discs” is also available through iTunes and the BBC website.  Her first appearance, from Saturday 28 May 1983 is also detailed on the BBC website, but is not available to listen to.

 

Jeremy Irons in Delta Sky Magazine

Click on each page for a larger view:


Jeremy Irons portrait by Zita Davisson

A portrait of Jeremy Irons by painter Zita Davisson is a part of the exhibition entitled FAMOUS FACES & PHENOMENAL PLACES.

Read more at DansHamptons.com Portrait Artist Zita Davisson Unveils “Famous Faces” at the Southampton Historical Museum

Zita Davisson’s Website

Some of Zita Davisson’s paintings:

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when:
Tue, May 17, 2011 11:00 AM-4:00 PM through
Sat, Sep 03, 2011 11:00 AM-4:00 PM

where:
Rogers Mansion
17 Meeting House Lane, Southampton Village
Southampton, New York

details:
Tuesday, May 17 through September Saturday, September 3, 2011
TIME: 11:00 am to 4:00 pm, Tuesdays through Saturdays

FAMOUS FACES: Zita Davisson has made a career of capturing famous faces on canvas including Diana, Princess of Wales; Princess Grace of Monaco with her children, Liza Minnelli, Jeremy Irons, Rudy Giuliani, Gloria Vanderbilt, Liv Ullmann, Nancy Reagan and Muhammad Ali.

PHENOMENAL PLACES Gary Lawrance, AIA will exhibit eight, scale models of homes some of which can be found in full-size in Southampton and on Long Island.

contact information:
Diane, Lynn or Laurie
info@southamptonhistoricalmuseum.org
631-283-2494

http://www.southamptonhistoricalmuseum.org
Price: $4 Adults

Max Irons in Harper’s Bazaar UK

Red Riding Hood star Max Irons talks to Bazaar’s Stephanie Rafanelli about wolves, nudity and his famous dad

Max Irons and I are playing The Guessing Game; in this case, over the identity of the lycanthrope killer in the 25-year-old actor’s debut feature Red Riding Hood, a gothic thriller adapted from the original fairy tale. So, who is the werewolf? Is it him, Red Riding Hood’s (Amanda Seyfried) betrothed; or the woodcutter she really loves? The suspiciously hairy wolfhunter (Gary Oldman). Or in an implausible twist, Julie Christie, the tales’ sagacious matriarch? “I cooould be the werewolf. I’m definitely a werewolf suspect!” he chuckles, his eyes widening at the mere thought of such a betrayal. “Okay. I’m the werewolf! Red Riding Hood’s the werewolf! Everybody’s the werewolf!”

Tranquil, post-11am roll-up, Irons stares hypnotically into the log fire at Blacks in Soho; his carved cheekbones and distant jade eyes, with the potential to slip into anguish or fervour, a clue to his genetic inheritance (he is the youngest son of thespian heavyweights Jeremy Irons and Sinead Cusack; and the grandson of Cyril Cusack, Julie Christie’s 1966 Fahrenheit 451 co-star). It is a heady cocktail that director Catherine Hardwicke, the woman responsible for Robert Pattison’s appearance in Twilight (spawning mass hormonal surges amongst the global pubescent population), clearly responded to. Especially as her reinvention of the fairy tale, one of the first in a spate of upcoming films, promises to be as rife with smouldering teen eroticism as the hitherto dominant Vampire genre. “I heard that Robert got chased down the street in Paris in his car, before the film even came out. Two black eyebrows rise, sardonically, to form a triangle in perfect symmetry. “I really don’t think it will come anything close to that.”

Though his name recalls a strident comic strip hero, by contrast, he is gently self-effacing (“American actors are all muscular, tanned, white teeth and they have this indestructible confidence. We British are all…Dare I say it? Pessimistic”). He is also somewhat apologetic both for the brands he is sporting (Dior boots, and a Prada Jacket – scruffed beyond recognition) as for his turns as a model, during his drama student years, in Mango (2007) and Burberry’s 2008 ad campaigns. “It was about 7am Saturday morning. I’m living in this basement bedsit with no fucking kitchen and barely a window. Smells of death. My phone goes off and someone says do you want to be shot by Mario Testino with Kate Moss. I didn’t have an agent so I said yup!” He fidgets uncomfortably. “That campaign has haunted me a bit. It has a smell of ‘you’ll do anything to be in front of the camera’.”

Like his father before him, Irons is wary of trading on his looks (the veteran actor rose to fame in The French Lieutenants’ Woman and Brideshead Revisited in 1981 thereafter avoiding being cast as the dashingly decadent love interest) or being hyped by the Hollywood machine. “Actors like Rebecca Hall and Andrew Garfield don’t play the celebrity game. You don’t even know who they go out with. Once you become the story off-screen, you are less likely to be the onscreen one.” But his brief track record already suggests that he is an actor of a similar mould. He received critical acclaim for Tom Stoppard’s Artist Descending A Staircase, and was nominated, alongside Hall, for the Ian Charleson Award in 2009 for his work in Wallenstein at Chichester Festival Theatre. (Hall and Irons became acquainted on tour with Sinead Cusack in Sam Mendes’ the Bridge Project that year: “After the last performance in Greece, everyone went skinny-dipping naked, drinking vodka including my mother I think”)

Puffy-eyed from jetlag from a recent “charm offensive” meeting agents in LA, Irons is on a four-day London stopover (which included presenting a BAFTA’s with Eva Green). A few weeks ago, he bumped into Meryl Streep at the Golden Globes. “I spent time with her when my dad was filming House of the Spirits, and her daughter Gracie and I shared the same tutor. She’d recognised me and came up to me. I was so, so touched.”

Growing up, Irons divided his time between Oxfordshire and his parents stage and film locations; though he was too young to witness his father’s favourite film.“I watched The Mission again on a plane to LA recently and I was in floods of tears. My older brother, Sam, was there, and they spent six months living with the villagers. I mean, Christ – what an amazing time.”

As a teenager his holidays were spent in Country Cork where, in 2000 his father bought and renovated Kilcoe Castle (“Err well it’s more like two towers joined together.”): “He’s become like a local.” He shakes his head.”He does this steeplechase where they stop on their horses at the pub every hour for a pint. Imagine what it’s like at the end of the day. Jumping over huge stone walls, going through rivers. They’re all pissed. It’s crazy.”

With such global adventures under his belt, has he inherited his father’s gung-ho spirit? “I’ve got my dad’s height and smoking habit. But I think I’ve got my mum’s looks and sensibilities.” He smiles warmly. “My dad’s very outspoken. He’ll say what he thinks. We’ve had some fruity political arguments across the kitchen table. They are both quite political, but mum more so. She’s very active [she is president of the Burma Campaign UK] and I seriously love that.” Iron’s half-brother Richard Boyd Barratt is also a political activist, like his biological mother Cusack, with whom he was re-united, around seven years ago, after she gave him up for adoption in 1968. “It wasn’t really that she‘gave him up for adoption.’ He was taken away by the Catholic Church; as was the way in those days, because she conceived out of wedlock.” Irons explains. “It was only in around 2004 when the Irish government ordered the Church to make the details of these adoptions available. I think within a week of that happening they’d been reunited. It’s amazing. And they’re so similar and they get on so well considering they missed 43 years of each other’s lives.”

Such is the rich heritage of Max Irons, filled with moving real life epics as well as thespian and cinema classics: a mighty well from which to draw inspiration in his future acting career (and from Irons’ fledgling projects, one senses there will be a future…). For now, he is adding the finishing touches to Runaways, a six part series for Sky One set in Seventies Soho. “The Italians and Irish gangsters are fighting for control of the sex district. I play this kid who ends up O-Ding nastily on a concoction of cocaine, amphetamines and vodka,” he winces. “But I get to wear flares and kind of woollen tanks tops [laughs]. I’ve got really shit hair though. I had to have a perm!.” He has two secret Hollywood projects in the fire (“If I told you, I’d have to kill you”), after which, Irons is keen to return to the stage. “Donmar. Royal Court. Okay. Put that in.” He leans forward and enunciates into the dictaphone. “I’ll do anything. Naked. Anything! Equus – I’ll do it.” And with that, he quickly pulls out a pack of tobacco, deftly crafts a cigarette (“I’m gagging for one”), before sauntering off into Dean Street. For sure, a roll-up is the only thing Irons need be desperate for right now.

Max Irons in BlackBook Magazine

Read the original article HERE.

Max Irons on Breaking Into Acting, His Famous Parents & Being Discovered by Mario Testino

by Ben Barna

April 8, 2011

When Max Irons turned 17, his parents issued him the following warning: a career in film is brutal, filled with paranoia, jealousy, and financial potholes. They were, he was told, the exceptions to the rule. “Don’t look at us and think it will necessarily be the same for you,” he says, recalling their sound advice. “99.9% of actors are unemployed, or are employed, but not as they’d like. Look at them more than you look at us.” Like any self-respecting teenager, Irons ignored their wisdom. “When they saw I was serious about acting,” he says, “they backed off.” 0digg

Irons’ mother and father, actors Jeremy Irons and Sinead Cusack, have appeared in more than 100 films combined. Now 25 years old and a professional actor, Irons grew up in the theater, with talk around the dinner table often centering on who was likely to win an Oscar that year. “It would be naive to say they had nothing to do with it,” Irons says of the relationship between his famous parents and his own acting ambitions. “I was exposed to it and developed an interest.”

Acting became more than a pastime for Irons when, after a stint at a UK boarding school marked by “smoking, drinking, and girls,” he traveled to Nepal, where he spent six months teaching the craft to street kids. When he returned home, he was accepted to the prestigious Guildhall School of Music & Drama in London, all but guaranteeing himself an agent upon graduation. In Hollywood, however, a young actor also needs looks, and it was Mario Testino who confirmed Irons’ heartthrob potential. The famed fashion photographer stopped Irons on the street and offered him work, a twist of fate that led to his starring in a Burberry campaign opposite Kate Moss.

But it was director Catherine Hardwicke—a connoisseur of smoldering Brits—who gave Irons his true break when the Twilight director cast him in Red Riding Hood, her CGI-enhanced retelling of the classic folktale. As the blacksmith Henry, Irons is one part of a love triangle that features a woodcutter (Shiloh Fernandez) and the title character, played by Amanda Seyfried. As a result, before anyone has even seen his performance, Irons has been busy in meetings with studio bigwigs. Is he ready for his close-up? “You can’t get hypnotized by someone offering you a lot of money or saying they’ll make you famous,” he says. “None of the photo shoots, parties, and flattery means anything. You have to remind yourself that what you do is act, and that’s all that matters.”

Was acting something you wanted to do from a young age?
I’d always tried to get into plays, but I was dyslexic as a kid and so it was kind of difficult, because they’d give you a script and say, Get on stage and do an audition. For a dyslexic kid that’s impossible, it’s a minefield of problems. It took a bit of time before I had the courage to say, Let me go and learn this. And I suppose I was about 15 when I started getting roles, and we have this thing at my school that’s a festival, and I did a play and I just thought, This is as much fun as you can legally have. And then I applied to drama school, which is quite a competitive business in England, and I managed to get it, and it boosted my confidence a little bit. It was a gradual thing, there was no epiphany moment.

Did you grow up watching your parents, and did that have an influence on your decisions?
You know, it’s a funny one, because it’s a double-edged sword. My parents were always gone, and I was always at boarding school, so I didn’t really see what they did actively. I didn’t naturally gravitate toward watching their work, because when I was young it felt weird.

I also read something about Mario Testino plucking you off the street?
I was nineteen and I was coming back from the DVD store with my girlfriend. We always used to have fights at the store, and I was on one side of the street, and she was on the other, and we were yelling at each other when this big, black SUV pulls up and this guy got out and he said, “Hello, I’m Mario.” And I said, “Hello,” and he said, “I’m a photographer and I’d quite like for you to come in for a meeting,” and I said, “Okay, thank you very much,” and he got back in his car and drove off. I thought it was weird, and my girlfriend came across the street and I told her it was a photographer called Mario who looked a bit like Tom Stoppard, and she said, “That’s Mario Testino.” Then I went into meet him and he put me in this Vogue thing, and a couple of months later I did Burberry.

Now that you’re in the movie business, how do you view all the duties that come along with it? Are they secondary?
It’s very interesting and nice that you say that because it kind of is. You have to catch yourself, especially when you find yourself fussing over what to wear to a Vanity Fair shoot, when actually what you do for a living is act. None of the photo shoots and none of the parties and none of the flattery that you receive in interviews mean anything. It’s just hot air and part of a system that’s bigger than you.

Are there any steps you’re going to take to make sure you have a lasting career?
You’ve got to be careful and not being hypnotized by someone offering you a lot of money or saying they’re going to make you very famous. I think also there’s an attitude around Hollywood at the moment of young, disposable talent that kind of turns up, gets shot up with arguably more money than they deserve, and then burn out quickly. And that’s not what you want. Fortunately, I’ve got agents and people around me that are all on the same page.

But essentially the decision is yours to make.
It is, yeah. I got a script to read the other day which was another fairly tale, and I would have been kind of right, but you can’t do it because you’ve just done one, and if you do another one, you’ll be known as that guy. So even though it was a different studio and offered a bit of money, you have to say no sometimes. You have to think in those terms.

Photography by Rene Dupont.