Jeremy Irons in The Prado Museum: A Collection of Wonders

Jeremy Irons in The Prado Museum: A Collection of Wonders

On the occasion of the official 200th anniversary celebrations

COMING TO CINEMAS IN OVER 60 COUNTRIES

THE PRADO MUSEUM: A COLLECTION OF WONDERS

World-premiering in Italy on 15th April, the first cinematic journey through the rooms, stories and emotions of one of the most visited museums in the world. Its wealth of over 8000 art treasures is a spell-binding experience drawing almost 3 million visitors to Madrid every year

FEATURING ACADEMY AWARD® WINNER JEREMY IRONS

Thank you to Nexo Digital for these exclusive, official press kit photos and stills from the film, taken by Agustin Escamez.

Scroll down to read the full Press Release.

Click on the thumbnails below to view the images full size.

Magnificent masterpieces tell the story of Spain and of an entire continent.

We are in one of the temples of world art, a site of memory and a mirror to the present with 1700 works exhibited and a further 7000 art treasures preserved there. Its collection tells the story of kings, queens, dynasties, wars, defeats and victories, as well as the story of the feelings and emotions of the men and women of yesteryear and of today, whose lives are intertwined with the museum’s: rulers, painters, artists, architects, collectors, curators, intellectuals, visitors.

In 2019, the year of its 200th Anniversary celebrations, telling the story of the Prado in Madrid from the day it was “founded” – that 19th November 1819 when mention was first made of the Museo Real de Pinturas – means covering not only the last 200 years, but at least six centuries of history. The life of the Prado collection began with the birth of Spain as a nation and the marriage between Ferdinand of Aragon and Isabel of Castile, a union that marked the start of the great Spanish Empire. Yet, for a long time over the centuries, painting had been a universal language that knew no boundaries. If there is one museum where it is clear that painting was not affected by nationalism, then that museum must surely be the Prado, with its eclectic and multifaceted collections demonstrating that art has no passports limiting its circulation, that rather it is a universal means to understand and convey the thoughts and feelings of human beings.

For this reason, taking the leading role in THE PRADO MUSEUM. A COLLECTION OF WONDERS are its art masterpieces and the great artists who made them, the crowned heads who collected them, but also the European and libertarian inspiration behind a museum and its wealth of art treasures and stories. This is the common thread that runs through the new documentary film written by Sabina Fedeli and directed by Valeria Parisi, a 3D Produzioni and Nexo Digital production in collaboration with the Prado Museum, with the support of the Intesa Sanpaolo Bank Group. THE PRADO MUSEUM. A COLLECTION OF WONDERS, a new event of ArtBeats – Great Beauty On Screen project, will have its world-premiere in Italian theatres on 15th April and will roll out to theatres from Russia and Finland in May, Australia in July, Spain and the US next Autumn to reach over 60 countries. Furthermore, there is an extra-special feature: Oscar® winning actor Jeremy Irons (Reversal of Fortune, Damage, The Mission, Stealing Beauty, The House of the Spirits, The Correspondence…) will be guiding spectators on a discovery of a heritage of beauty and art. Starting from the Salon de Reinos, in a deliberately bare architectural style that comes alive with people, lights and projections, taking the visitor back to the glorious past of the Spanish monarchy and the Siglo de Oro, when hanging from the walls then were many of the masterpieces exhibited today at the Prado. At that time, the space was used for dancing, holding parties and giving theatrical performances. This was a vibrant core of Madrid and of Spain as a whole, as was the Barrio de las Letras, where writers and artists from the Siglo de Oro lived, and, in the 20th century, the Residencia de Estudiantes, where intellectuals from the Generation of 1927 would meet, including Buñuel, Lorca and Dalí.

The paintings in the Prado reflect a unique epic era, that gave rise to one of the most important museums in the world. This is a collection put together “more with the heart than the head”, because kings and queens chose only what they loved. It is an inventory of tastes and pleasures that tells the story of public events, dynasties, cardinals, wars and coalitions. It is also an inventory of private matters: a wedding, a lavishly laid table, the madness of a queen. It is a close network of crowned heads, hidalgos, majas y caballeros, each with their lives, truths and messages. It is the story of an era of great patronage, of the Spanish monarchs’ love for the great masters, like Goya, whose strong presence at the Prado is a body of work totalling over nine hundred items, including most of his drawings and letters: correspondence with his childhood friend Martin Zapater. Goya’s art has influenced many modern artists, as is the case with 3rd May 1808, a painting that depicts the effects of the Spanish revolt against the French army. This work would become a symbol of all wars and would give Picasso the inspiration for his Guernica. Like Picasso, Dalì and Garcia Lorca were also captivated by the museum, while writer and painter Antonio Saura, who would continuously go there to bask in its magical atmosphere, called the Prado “a wealth of intensity”. So, this is art that illuminates the present and asks us: what has the Prado Museum been in these two hundred years, what is it today and what will it continue to represent for future generations – this living museum, a beacon for all Spaniards during the dark moments of the dictatorship, and a home to return to for exiled artists and intellectuals?

The aim of the authors, consequently, was to tell the story not only of the formal beauty and enchanting appeal of the Prado collection but also about how much the themes of the works exhibited are current today, and how through the history of art, they can also be a narrative of society, with its ideals, its prejudices, vices, new ideas, scientific discoveries, human psychology and fashions.

THE PRADO MUSEUM. A COLLECTION OF WONDERS is not only about these extraordinary works of art, which are the heart and soul of the documentary, but also about the landscape, the Royal palaces and buildings that set the scene and saw the birth and development of these art collections. This heritage is universal and includes not only the works of Vélazquez, Rubens, Titian, Mantegna, Bosch, Goya, El Greco preserved in the Prado, but also the Escorial, the Pantheon of the Royal family, the Royal Palace of Madrid, the Convent of Las Descalzas Reales, the Salon de Reinos. It is a fresco contrasting interiors and exteriors, paintings and palaces, brushstrokes and gardens. The birth of the Prado Museum is an engaging story. In 1785 Charles III of Bourbon commissioned court architect Juan de Villanueva to design a building to house the Gabinete de Historia Natural. It would never serve that purpose. The building was transformed into the Museum we know today. Walking through this place of beauty means never ceasing to be amazed, removing prejudices and contradictions, discovering the myths and symbols of a wonderful, sometimes revolutionary, world. It means an interactive exchange through the history of art. It means being enraptured by masterpieces such as the Deposition by Flemish artist Van der Weyden, Adam and Eve by Titian, the Black Paintings of Goya’s later years, Les Meninas by Vélasquez (“The air in Las Meninas is the best quality air that exists“, declared Dalì), El Greco’s twisted, elongated, unconventional figures, The Garden of Earthly Delights by Bosch, which arouses curiosity, expectation, attention in visitors of any nationality and culture, or the work of the Flemish Clara Peeters, who had the courage to paint miniature-self-portraits in her still-life paintings and stake a claim for the role of female artists, or even Ribera’s The Bearded Lady, where a woman, face covered by a thick beard, breastfeeds the new-born baby she holds in her arms.

The way the documentary feature develops is by interweaving the art narrative with a study of the architecture and an analysis of valuable archival materials, marked by interviews with various experts from the Prado Museum: Miguel Falomir, Director of the Prado, and the Conservators Andrés Úbeda de los Cobos, Deputy Director of Conservation; Javier Portús, Chief Curator Spanish Painting up to 19th Century, Manuela Mena, Chief Conservator 19th Century Painting and Goya; Enrique Quintana, Chief Conservation Coordinator; Alejandro Vergara, Chief Conservator of Flemish Painting up to 18th Century and North European Schools of Art; Almudena Sánchez, Painting Restorer; Leticia Ruiz, Head of Department Spanish Painting up to 18th Century; José Manuel Matilla, Chief Conservator of Prints and Drawings; José de la Fuente, Restorer of Wooden Panel Paintings. In addition, speakers will include Lord Norman Foster, architect for the Salón de Reinos remodelling project (Pritzker Prize), Helena Pimenta, Director of the Compañía Nacional de Teatro Clásico in Madrid; Laura Garcia Lorca, President of the Foundation bearing her uncle’s name, the poet Federico Garcia Lorca; Marina Saura, actress and daughter of the Painter Antonio Saura; Olga Pericet, dancer; Pilar Pequeno, photographer.

THE PRADO MUSEUM. A COLLECTION OF WONDERS is produced by 3D Produzioni and Nexo Digital in partnership with the Prado Museum and with the support of Intesa Sanpaolo. World premiering in Italian theatres on April 15th, it will roll out to cinemas in 60 countries.

We thank Patrimonio Nacional and Madrid Destino for their generous participation in the filming carried out in Spain.

This event is part of ArtBeats – Great Beauty on Screen, an original, exclusive Nexo Digital project.

Jeremy Irons Launches Cork University Hospital Art Book

On Thursday 24 August 2017, Jeremy Irons launched a colourful book detailing the mammoth collection of public art which has been donated to Cork University Hospital over two decades.

The CUH art collection began some 20 years ago when acclaimed Sherkin Island-based artist Majella O’Neill-Collins donated some of her paintings to the hospital, and encouraged other artists to do the same.

Read the full Irish Examiner article HERE.

Thank you to Sinead Hehir, Cork University Hospital, Adrian Legg, Ruth Fuller, Dierdre Ni Luasaigh, Sean Curran for the photos!

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Jeremy Irons at Be Inspired Private View and Party for Children & the Arts

Jeremy Irons attended the Be Inspired Private View and Party in aid of Children & the Arts, at Christie’s on King Street in London, on Friday 3 March 2017.

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Photos by David M. Benett/Dave Benett/ Getty Images for Children & the Arts

Jeremy Irons Attends Prince’s Teaching Institute Event

Jeremy Irons was in attendance at the Prince’s Teaching Institute Summer Residency joint English, History, Art and Music Summer School event at Homerton College Cambridge, on Tuesday 24 June 2014.

Read more HERE.

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Jeremy Irons Attends Hus Gallery Opening

Jeremy Irons attended an opening reception at the Hus Gallery in London, on Wednesday 26 March, for the exhibition “The Back of Beyond”, featuring work by Sam Irons, Adam Bainbridge and Neil Raitt.

The exhibition will run from 27 March until 27 April 2014.

Photos via the Hus Gallery Facebook Page:

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Jeremy Irons Attends Art Market Budapest 2012 Opening

Jeremy Irons attending the opening reception of the 2012 Art Market Budapest on 7 November 2012.

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Jeremy was interviewed at the Art Market Budapest opening and it aired on Hungarian radio: http://hangtar.radio.hu/kossuth

Interview starts: (Translated from Hungarian dubbing)

Magyar Radio- What captures you?

Jeremy Irons- It’s very personal I think what captures you in art. The great thing about this show is the different artists. That so many different artists’ work are exhibited so I would be very surprised if somebody wouldn’t find a piece that he likes. It’s fantastic even if sometimes the meaning of two objects next to each other is completely different. It’s true that there’s only one or two objects from the same artist, but you get inspired. For example, I saw a painting from this artist from Budapest and I’ll ask for further information about where I could find more of his works. So, I hope that everyone who has an opportunity, not only from Hungary, but from Austria, Poland, Slovenia and Slovakia will come and see these pictures and will find something they like. What that thing is is personal. I was captured by a picture because it was created in such a beautiful style. There are colours in it and it tells a story, it conveys a feeling. But my taste is not everybody else’s.

Magyar Radio- I was wondering if artists can be distinguished on the basis of where they are coming from. Which country or region?

Jeremy Irons- No, I don’t think you can identify their origin. If you see the pictures in the National Gallery here in Budapest, you will see something similar as in Prague. You can feel some Central European effect that you won’t meet in Paris or London at artists from the same age. Maybe the approach was more romantic. But as for modern artwork, it’s very difficult to distinguish. Perhaps, there’s some kind of humour in the Central European art that you can’t find in the same form in Western Europe. Humour I like.

Magyar Radio- Working here you perhaps gained some personal experience about this mentality?

Jeremy Irons- Yes, to a certain extent. And I am very happy that I could experience it.

Jeremy Irons Contributes to SixbyEight Charity Art Exhibition

Jeremy Irons has contributed a piece of artwork to the SixbyEight Charity Art Exhibition.


© All Rights Reserved by SixbyEight

To see all of the artwork in the SixbyEight exhibition go HERE.

This charity art event starts on the 11th November where patrons will have the opportunity to purchase art from professional and amateur artists. SixbyEight has collated in excess of four hundred pieces of art all measuring 6×8″ which will be sold at £40 each and all signed on the reverse , so a purchase is unknown – an ‘artistic gamble’, all proceeds from this event will then be donated to Hop Skip and Jump .

A private view will be held at the Bristol Gallery on the 11th November from 7pm, by invitation only (Due to overwhelming demand all tickets for the private view are now sold out), followed by the open view on 12th-13th November from 10am – 5pm. All donated works will be available to purchase.